Finding Joy in the Journey: Looking Back - 6 Years Ago - Reflections and Insight for my Plein Air Class Week 3
As I prepare for week 3 -my job is to not only teach the foundational skills to paint outdoors but to be an encourager to my students. To share my past experiences.. the good and the not so good. And hopefully an insightful perspective with a few years attached to it.
This week I want to share with them about a time when I drove up to Simsbury on a Saturday morning in July looking for the Connecticut Plein Air Painters Society group Paint Out, but couldn't find them. I plugged the farm address into my GPS, packed my gear and headed north. I drove around for a while but couldn't find the painters at this designated spot. Did I have the wrong day? the wrong time? Maybe I didn't get the email that they changed locations.
Whatever the case, I didn't want to waste this beautiful day. I headed down the street looking for the possibility of another place to paint. I drove up the road and to my surprise I came across an old railroad bridge that was covered with flowers. This totally caught me off guard. Later I found it's called the Old Drake Hill Flower Bridge. A local group work together each year to plant over 62 pots and hanging baskets from the ironwork. It's really a spectacular sight. The combination of the colorful and organic flowers and foliage against the steel, the Farmington River rushing underfoot and the blue sky above called out "Paint Me! Paint Me!"
I can remember hanging around for almost two hours. Looking, sketching, taking photos and looking some more. Honestly the scene was overwhelming and I had no clue how to paint it. I didn't have the experience or understanding of how and where to begin. Has this ever happened to you? Have you seen something that's caught your eye, you say to yourself this is really beautiful, I would love to capture it on canvas but when it comes down to where to begin... it's just overwhelming.
So what did I do instead? Back in my studio, I painted a scene close by but in another direction. For the longest time I just thought it was a cop-out. I didn't realize until recently and a few years of separation from that experience that... it wasn't an a cop-out at all. In fact I would love to share with my students a few lessons that I learned.
1. Be Flexible. No matter how much you plan an outdoor excursion, you've got the gear, the weather is cooperating, you've got the time, etc. it just might not go exactly how you planned. But be flexible. Keep your eyes wide-open and look for a plan B. or may plan C, or D. Looking back if I stopped at my original destination and painted there, I would have never traveled down this road to discover this amazing sight. Or what if I just gave up and drove home? That would have been a waste of time.
2. Sketching and take photos are valuable tools. I'm glad I had my sketchbook to practice and record what's in front of me. Even if I couldn't get up the nerve to set up my easel. In my sketchbook I could record the weather conditions, the sounds, and even my thoughts. Even though I spent time there sketching, drawing and walking around the sight. The photos helped to trigger my memories back in my studio.
3. Practice from your photos back in your home studio. Although being on location is what we are trying to achieve. It doesn't hurt, in fact, I think it helps tremendously to take a few intermediate steps, especially when your first starting out. Ask yourself a few questions back in your studio of why did this seem too challenging to paint on location. Too many colors? Complicated shapes? Subject too large for the canvas? Too many details? Once you define what was stopping you then you could address it in your home studio... in your safe zone. For me I set up my plein air easel in my studio and display images from my laptop onto a large screen tv in my studio to practice. . Reminder- the camera can distort the images so try not copy precisely from the photo, just use them as references. But this is the best way to practice. Take your time, measure and build your confidence. Once you've done some sketch work try going back to the location with your gear to set up and paint the scene.
4.Next Best: Find a scene close by that could feel like the area and paint that. Later on you'll reflect back on the "Next Best" painting and the memories of the place, time and moment will come flooding back to you even if you didn't paint the exact scene. You do remember the heat of the summer and the casting cool shadows from the surrounding trees. Maybe even the people you meet or the dogs you greet. Since a painter will spend much more time absorbed in a scene than when shooting a photo I believe those memories have a much deeper impact.
Hope these tips help you on your Plein Air Adventure and remember don't be too anxious to "arrive"... the Joy is in the Journey! Happy Painting!
This is a note I'll be sharing with the students who are in my Plein Air Painting Class at Artsplace in Cheshire. We just completed week 2 of a 5 week class that is held on Thursday mornings from 9-12pm. Even if you aren't in the class, feel free to leave a comment below about having the right perspective. Would love to engage in a conversation about your experience.
Note to Students:
I hope you don’t think I’m picking on you. I truly want to help you grow your artistic skills. I’m thrilled that you are in this class and I value you as a student and your desire to want to learn. We are all on this journey together. Some a little more advanced, and some are at the beginning. But that’s the exciting part because we can all learn from each other.
One of the hardest things to do is to not compare yourself with someone else. We all do it. I do it too. It’s part of our human nature. But just because it’s part of human nature doesn’t mean that it’s always helpful for us. We need to put on the right learning glasses to have a perspective that will help us, not hinder us.
Speaking from my own experience, which I hope you can relate to, I have attended classes or workshops where I’m eager to start, to take what the teacher has demonstrated and put it into practice. I gather my supplies, get set up, put the first marks on the paper or canvas, and within a few minutes I can hear that inner critic say “what are you doing? that isn’t right? “ weren’t you paying attention?”
Or I might be working away and everything is going great I just finished the first step. I pause, take a break, lift my head and look around at what everyone else is doing and boom, I immediately start to compare my work with my classmates. Let’s be honest, do you do that too? The thoughts would go something like this… “look at how much better so and so’s work is next to mine” or “why didn’t I do that?” or the dreaded “what am I doing here? They are so much better than me”. If my thoughts were visible you could actually see them travel in a downward spiral.
Or what if it goes in the other direction. What if I look around and say to myself “mine is so much better” yikes! That sounds so prideful! I’m so glad no one can read my thoughts. But this can be an equally dangerous place too. Why? because perhaps I’ve convinced myself that I know it all. I take on this “been there, done that” attitude. It just sounds arrogant as I type these words. If I spiral to those thoughts I’ve also closed the door to learning and growing my skill.
What’s happening here? I’m wearing the wrong set of “perspective glasses”.
So, instead I will adjust my focus and say to myself, “ I’m here to learn not just from the instructor but from the other students. I want to be stretched, challenged and grow. Somethings I create are really good and somethings are just practice. Accept it. When my eyes, ears, heart and mind are wide open and eager, even hungry to learn.... the Possibilities are Limitless!“
I call these “Teachable lenses”.
This is a conscience choice I have to make and so will you. Choose to see and embrace your uniqueness. Each and everyone of us has an incomparable artistic voice, that was meant to be discovered, nurtured and cultivated. If I put a halt to comparing myself to anyone else and choose to be open to new ideas, suggestions and maybe a different way of solving a problem or breaking a habit that might be hindering my ability to grow - Progress and advancement will follow. Yes!!
After all that’s exactly what we are doing here in the first place. Right? RIGHT!
I've been working very hard in my studio in preparation for my upcoming solo show at Evergreen Woods in North Branford, CT. I'm very excited to share my latest work created from my trip to Italy. Some pieces are posted on my website and social media. There are a few more that are still "cooking" and will share as soon as they are done. If are in the area please stop in or join me at the reception.
Show date: June 5 to July 5, 2018
Reception Date: Friday June 8, 2018 - Open to the Public 4:00-6:00pm
Linda S. Marino Art
Branford, CT 06405
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